Tuesday, March 31, 2015

Art, icon and architecture in South Asia

Art, icon and architecture in South Asia essays in honour of Dr. Devangana Desai edited by Anila Verghese, Anna L. Dallapiccola New Delhi Aryan Books International, 2015

ISBN 9788173055331

DK-244943

http://www.dkagencies.com/doc/from/1063/to/1123/bkId/DK8263321716228836696803113771/details.html

Meant to felicitate an art historian of international repute: Dr Devangana Desai, this 2-volume festschrift carries latest research papers, covering some of the broad areas, which have figured among her lifelong research concerns.  Written by eminent scholars from Germany, India, Singapore, UK, and USA, the 37 essays here been grouped in five thematically organized sections: Buddhist Monuments and Icons – Iconography, Narrative Sculpture and Images – Monuments (Architecture) – Painting – General Themes.   Among other specific themes, the essays focus on the Ashokan Stupa at Sopara, Gandhara Art from the Hirayama Collection in Japan, Mathura ‘Personality vis-à-vis the Development of Narrative Art, the Woman and Dwarf Motive in Western Indian Sculpture, Temple Sculpture in Colonial Madurai, Revelations in Rock, Kachwaha Temples, Enigmatic Buddhist Monasteries and Temples in Central India, and Water Structures of Gujarat; besides studies of narratives in stone, yantras, iconography, calligraphy, terracottas, Khajuraho sculptures, Jaina cave temples, and paintings.   The papers are lavishly illustrated with exquisite photographs.


Monday, March 16, 2015

The Buddhist cosmopolis

The Buddhist cosmopolis Lokesh Chandra New Delhi International Academy of Indian Culture and Aditya Prakashan, 2014


ISBN 9788177421392
DK-244619
http://www.dkagencies.com/doc/from/1063/to/1123/bkId/DK9163217162761201187395747441/details.html

This is a study of different aspects of Buddhism in the course of its evolution and decline in the Indian subcontinent, China, Japan and South-east Asia. Using comparative archaeological observations of the Buddhist cosmopolis to explain regional variations in Buddhist iconography and culture, internalisation and innovation in Buddhist art, mandalas of Vairocana and Trika Shaivism of Kashmir, it showcases the development and qualitative changes in iconography that led to the rise of royal attributes in the Buddha images