Notable Works Pub by Marg Foun
Notable Works Pub by Marg Foun, Indian books dkagencies.com- Something old, something new : Rabindranath Tagore 150th birth anniversary volume / edited by Pratapaditya Pal.,2011 Price : USD 68.00 ( DK-211355 ( HBD ) ) Usually Ships In : 10 - 15 days
Christian themes in Indian art
Indian books dkagencies.com, ISBN: 8173049459, Surprisingly, perhaps, Christian themes are present everywhere in the mainstream market in India – even if they have been driven to the periphery in European art. Exploring ‘Christian themes in Indian art’, the authors here find that they aren’t new in India. Historically, they can be traced back to the 16th century, when the European Christian prints had an unexpected encounter with the Indian miniatures. At the court of Mughal Emperor Akbar, Christian miniatures were painted, copying the themes from engravings, which the three Jesuit missionaries had brought with them from Europe. This was the start of an amazing fusion in Indian miniatures. For the first time, this book examines Christian themes in Indian art: from the beginnings of Christianity in India till today.
The focus here is chiefly on paintings and sculptures, though the book also includes a chapter on architecture, studying largely the church buildings. Setting out stimulating perspectives on the ‘beginnings of intercultural encounter’, the book systematically explores Christian themes in the works of Bengali artists, the non-Christian artists, the Christian artists, and South Indian artists. In addition, the book also considers popular/folk Christian art, Warli paintings, and Hindu influence on Christian art. With illustrations, the authors present the works of numerous Indian artists that explicitly show the Christian content, including the paintings/sculptures of the internationally-known artists, like Jamini Roy, Arup Das, M.F. Husain, Krishan Khanna, Jehangir Sabavala, Satish Gujral, Anjolie Ela Menon, Francis Newton Souza, Angelo da Fonesca, Solomon Raj, Sister Claire, K.C.S. Panikar, S. Dhanpal, and S.P. Jayakar.
Felicitas essays in numismatics, epigraphy and history in honour of Joe Cribb
Indian books dkagencies.com, Joe Cribb, whom Felicitas seeks to honour, needs no introduction to any enthusiast of coins and paper money of Asia, specially of the Indian subcontinent. As a curator of South Asians Coins in the Department of Coins and Medals in the British Museum, and lately the Keeper of this department, Joe has had a ‘hand’ in a variety of numismatic activities.” Starting with Chinese coins, Joe moved to many other themes and subjects within the broader range of ‘Oriental’ numismatics and history, making invaluable contributions to highly controversial subject areas, like the inception of coinage in the Indian subcontinent and the chronological questions facing complex coinages in Central Asia.
Significantly, Joe Cribb’s academic interests not just centre around the broad theme of ‘Money’, which encompasses numismatics, but also go much beyond. Covering a vast time and space, the essays here deal with the most ancient of the sub-continental coinages as well as those that deal with the most modern and conventional forms of money, like banknotes. Among other specificities, the essays explore socio-historical themes associated with coinage, study iconography through coins, examine royal as well as religious coins icons seen on Kushan coins, offer fresh interpretation of the ‘Lion Pillar’ inscription from Mathura, and highlight the role/utility of coins in historical reconstruction from a conceptual perspective, analyzing the deployment of coins to underline archaeological and historical periods. Several other themes examined here include minting technology in Mughal India, pagoda coins of South East India, Kuninda and Kota coins of the Punjab, or how coins were used as a tool of diplomacy in the colonial India.
Science and metal technology of Harappans
9788174791078, Indian books dkagencies.com, Harappan civilization, though not the oldest, is the first known civilization in the Indian subcontinent. Already around 2,700 Harappan and Harappan-related sites have been reported in north-west South Asia – over an areal sprawl of two million square kilometers. Ganweriwala, the largest of Harappan sites in South Asia, covers an area of 250 hectares. Ever since its discovery, more specially during the last few decades, enormous research has gone into the Harappan/Indus Valley tradition of Pakistan and Western India filling in many gaps in our understanding of regional geography, settlement patterns, subsistence, specific technological developments and the chronology of these changes.
In 21 recent, well-researched papers, this volume is yet another effort to present an overview of the science, metal technologies and their role in this once-great civilization. Bringing together eminent scholars engaged in the systematic excavations, scientific studies, and research analysis in the field of Harappan archaeology and allied sciences, this volume shows how, ever since its discovery, archaeologists and archaeo-metallurgists have come upon a good range of metals, including notably copper, gold, silver, lead, tin, iron, bronze and zinc, from various Harappan sites, and how far they could make use of these metals. Supported by extensive scientific and archaeological data, the papers here present the entire tool repertoire of the Harappans, their arts and crafts, as well as their sophisticated, fairly advanced production technology – unambiguously articulated in the animal figures or the figure of a dancing girl and the kind of technological skills the production of these figures involved. Supplementing these papers are over sixty colour plates.
Notable Works Pub by Marg Foun, Indian books dkagencies.com- Something old, something new : Rabindranath Tagore 150th birth anniversary volume / edited by Pratapaditya Pal.,2011 Price : USD 68.00 ( DK-211355 ( HBD ) ) Usually Ships In : 10 - 15 days
Indian books dkagencies.com, ISBN: 8173049459, Surprisingly, perhaps, Christian themes are present everywhere in the mainstream market in India – even if they have been driven to the periphery in European art. Exploring ‘Christian themes in Indian art’, the authors here find that they aren’t new in India. Historically, they can be traced back to the 16th century, when the European Christian prints had an unexpected encounter with the Indian miniatures. At the court of Mughal Emperor Akbar, Christian miniatures were painted, copying the themes from engravings, which the three Jesuit missionaries had brought with them from Europe. This was the start of an amazing fusion in Indian miniatures. For the first time, this book examines Christian themes in Indian art: from the beginnings of Christianity in India till today.
The focus here is chiefly on paintings and sculptures, though the book also includes a chapter on architecture, studying largely the church buildings. Setting out stimulating perspectives on the ‘beginnings of intercultural encounter’, the book systematically explores Christian themes in the works of Bengali artists, the non-Christian artists, the Christian artists, and South Indian artists. In addition, the book also considers popular/folk Christian art, Warli paintings, and Hindu influence on Christian art. With illustrations, the authors present the works of numerous Indian artists that explicitly show the Christian content, including the paintings/sculptures of the internationally-known artists, like Jamini Roy, Arup Das, M.F. Husain, Krishan Khanna, Jehangir Sabavala, Satish Gujral, Anjolie Ela Menon, Francis Newton Souza, Angelo da Fonesca, Solomon Raj, Sister Claire, K.C.S. Panikar, S. Dhanpal, and S.P. Jayakar.
Felicitas essays in numismatics, epigraphy and history in honour of Joe Cribb
Indian books dkagencies.com, Joe Cribb, whom Felicitas seeks to honour, needs no introduction to any enthusiast of coins and paper money of Asia, specially of the Indian subcontinent. As a curator of South Asians Coins in the Department of Coins and Medals in the British Museum, and lately the Keeper of this department, Joe has had a ‘hand’ in a variety of numismatic activities.” Starting with Chinese coins, Joe moved to many other themes and subjects within the broader range of ‘Oriental’ numismatics and history, making invaluable contributions to highly controversial subject areas, like the inception of coinage in the Indian subcontinent and the chronological questions facing complex coinages in Central Asia.
Significantly, Joe Cribb’s academic interests not just centre around the broad theme of ‘Money’, which encompasses numismatics, but also go much beyond. Covering a vast time and space, the essays here deal with the most ancient of the sub-continental coinages as well as those that deal with the most modern and conventional forms of money, like banknotes. Among other specificities, the essays explore socio-historical themes associated with coinage, study iconography through coins, examine royal as well as religious coins icons seen on Kushan coins, offer fresh interpretation of the ‘Lion Pillar’ inscription from Mathura, and highlight the role/utility of coins in historical reconstruction from a conceptual perspective, analyzing the deployment of coins to underline archaeological and historical periods. Several other themes examined here include minting technology in Mughal India, pagoda coins of South East India, Kuninda and Kota coins of the Punjab, or how coins were used as a tool of diplomacy in the colonial India.
Science and metal technology of Harappans
9788174791078, Indian books dkagencies.com, Harappan civilization, though not the oldest, is the first known civilization in the Indian subcontinent. Already around 2,700 Harappan and Harappan-related sites have been reported in north-west South Asia – over an areal sprawl of two million square kilometers. Ganweriwala, the largest of Harappan sites in South Asia, covers an area of 250 hectares. Ever since its discovery, more specially during the last few decades, enormous research has gone into the Harappan/Indus Valley tradition of Pakistan and Western India filling in many gaps in our understanding of regional geography, settlement patterns, subsistence, specific technological developments and the chronology of these changes.
In 21 recent, well-researched papers, this volume is yet another effort to present an overview of the science, metal technologies and their role in this once-great civilization. Bringing together eminent scholars engaged in the systematic excavations, scientific studies, and research analysis in the field of Harappan archaeology and allied sciences, this volume shows how, ever since its discovery, archaeologists and archaeo-metallurgists have come upon a good range of metals, including notably copper, gold, silver, lead, tin, iron, bronze and zinc, from various Harappan sites, and how far they could make use of these metals. Supported by extensive scientific and archaeological data, the papers here present the entire tool repertoire of the Harappans, their arts and crafts, as well as their sophisticated, fairly advanced production technology – unambiguously articulated in the animal figures or the figure of a dancing girl and the kind of technological skills the production of these figures involved. Supplementing these papers are over sixty colour plates.
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